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Movies of the Future

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William Van Doren Kelley, inventor of the Prizma color process, premiered 'Future' in anaglyphic 3D, in New York around Christmas 1922. Two 3-D films, Plasticons (1922) and New York City (1922) were shown under the name Movies of the Future. Originally about 14 minutes long, it is considered the second known public screening of a 3D film after The Power of Love (1922). The name Plasticon was possibly derived from Kinoplasticon, a process popular at the Scala Theater in London around 1913. A second film was made by William Crespinel, formerly with Kinemacolor and now the main cameraman with Prizma, called Thru’ The Trees: Washington, D.C. (1923). These films, although popular, were merely demonstrations and Kelley did not continue commercially pursuing 3D films.

★ 10.0/10192214m
HDCC
Details

Movies of the Future

★ 10.0/10192214m

William Van Doren Kelley, inventor of the Prizma color process, premiered 'Future' in anaglyphic 3D, in New York around Christmas 1922. Two 3-D films, Plasticons (1922) and New York City (1922) were shown under the name Movies of the Future. Originally about 14 minutes long, it is considered the second known public screening of a 3D film after The Power of Love (1922). The name Plasticon was possibly derived from Kinoplasticon, a process popular at the Scala Theater in London around 1913. A second film was made by William Crespinel, formerly with Kinemacolor and now the main cameraman with Prizma, called Thru’ The Trees: Washington, D.C. (1923). These films, although popular, were merely demonstrations and Kelley did not continue commercially pursuing 3D films.

Creators and cast

Directors
William Van Doren Kelley
Producers
William Van Doren Kelley

Maturity rating

Not yet rated.

Where to watch

Not currently listed on any streaming, rental or purchase service.

Details and artwork from TMDB. Availability from JustWatch and can change without notice.